Otto Flechtner, Teuton

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				Price: € 2.600

Description

‘Teuton in armour’
Biography: Otto Flechtner

Date of creation 1942. 

‘The role of the artist was either to portray the struggle for the survival of a peaceful German world or else to represent this world, which had to be defended at all cost’ (Peter Adam, The Arts of the Third Reich).

Teutons and the ‘Teutonics Fury’.
The Roman poet Lucan used the term ‘Teutonic Fury’ to describe what he believed to be the outstanding characteristic of the Germanic tribe called the Teutones: a mad, merciless, berserk rage in battle. The Teutons met with the armies of the Roman republic in the eastern Alps around 113 BC. The Romans, under the command of the Consul Papirius Carbo, tried to lure the tribe into a trap, but they underestimated their military potential and lost the Battle of Noreia. The Romans also lost the Battle of Arausio (105 BC).

Anton Hoffmann, ‘Furor Teutonicus’ (Teutonic Fury’).

German War Art in the Pentagon
‘Very good, outstanding and brilliant in conception…’

House of Representatives, Committee on Armed Services, Investigation Subcommittee, Washington, D.C. , September 23, 1981
At September 23, 1981, the House of Representatives discussed the transfer to Germany of 6.337 pieces of war art that were seized from the German Government by the United States Army in March 1947. Below some remarkable quotes from the discussion.
George William Whitehurst (Member of the U.S. House of Representatives, journalist, professor) about the 6.337 pieces of German war art:
‘They are similar to the military works of art hanging on our own committee and subcommittee rooms. Part of the German collection is on display in the Pentagon…. This is war art, showing the life of German military personnel under the best and the worst conditions, as indeed soldiers, sailors, and airmen of all nations experienced it… ‘Asked by the Chairman about the value of the art: ‘Some of it is very, very good. The large canvas in my office is an outstanding work of art’.

Marylou Gjernes, Army Art Curator, U.S. Army Center of Military History, Department of the Army:
‘..The Air Force similarly favors retention of German war art integral to its museum operations at Wright Patterson Air Force Base, and a small exhibit of paintings that they have in the Pentagon.’…. ‘Some of the paintings and drawings are brilliant in conception and execution. They show by their artistry, color and mood, the spirit of combat, and the desolation, destruction and tragedy of war. There are illustrations of the despair and boredom of the troops…They are a testament to the sensitivity of the artist regardless of nationality. The collection ..is utilized in ongoing exhibition programs and displays to provide a unique view of World War II that supplements and supports the written history of the conflict..’


Extreme scarce work of art
Art works considered as overt propaganda were massively destroyed
In accordance with the Potsdam Agreement of August 1945, the Allied Control Council laws and military government regulations, all collections of works of art related or dedicated to the perpetuation of German militarism or Nazism, were destroyed. Thousands of paintings were considered of ‘no value’ and burned. Around 8,722 artworks were shipped to military deposits in the U.S. In 1986 the largest part was returned to Germany, with the exception of 200 paintings which were considered as overt propaganda: depictions of German Soldiers, war sceneries, swastika’s and portraits of Nazi leaders.

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