Alfons Schneider, Silvesternacht 1941
‘Sylvesternacht 1941’ (‘New Year’s Eve 1941′)Monumental painting, displayed at the GDK 1942 room 13.Size 125% x 149 cm.’Sylvesternacht 1941’ by Schneider was also displayed at the exhibition ‘Na
‘Sylvesternacht 1941’ (‘New Year’s Eve 1941′)Monumental painting, displayed at the GDK 1942 room 13.Size 125% x 149 cm.’Sylvesternacht 1941’ by Schneider was also displayed at the exhibition ‘Na
‘Mutter mit Kind’ (‘Mother with Child’)Displayed at the Sächsiche Kunstausstellung Dresden, 1934.’In meinem Staat ist die Mutter die wichtigste Staatsbürgerin’Adolf Hitler, speech to the Nation
‘Eifel Landscape’ (‘Eifel Landschaft’) This painting by Werner Peiner depicts the farmland of the Eifel, which was also the subject of the famous paintings ‘Deutsche Erde’ and ‘Grosse Herbstland
‘Förster’ (‘Forester’)Created 1937.’Förster’, a portrait with a background of hilly agricultural land, is a typical depiction of Adolf Wissel (see, for example also ‘Jungmädel’ and his self-portrai
‘Drachenkampf’ (‘Dragon fight’)Design for a war bond.Original large drawing, created in 1917.World War I was the first war in which posters, along with postcards and movies, played a dominant role in
‘Spanishes Castell im Mondlicht’ (‘Spanish Castle in Moonlight’)Left: ‘Spanish Castle in Moonlight’, GDK 1939, room 15. This is a watercolour version; the oil-version hung in 1939 in Room 15
‘Weisse Rosen’ (‘White Roses’) This is probably an early work (but one of his best!) of Anton Müller Wischin, before he made a career in the Third Reich and became a wealthy man. The beautifully
‘Frau in Blauem Tuch’ (‘Woman in a Blue Shawl’)The oak leaves are a traditional German national symbol associated with patriotism and military prowess.Displayed at the ‘Frühjahrs-Ausstellung, Pr
‘Portrait of a Solder’Preliminary sketch for ‘Mit Mann und Ross und Wagen, so hat sie Gott geschlagen’ (lost).Created around 1895.This painting is a preliminary sketch for the famous pa
‘Junge Bäuerin’ (‘Young farmer woman’) Date of creation: 1927. Later Padua had many similar works in the Great German Art Exhibitions. For example: ‘Bauernbub’, ‘Kopf eines